August 21st, 2021

With only books for solace

http://bronteblog.blogspot.com/2021/08/with-only-books-for-solace.html

Irish Times recommends several books including
Madam
Phoebe Wynne
Quercus, £14.99
Caldonbrae Hall is a boarding school for girls; it looms over the sea in a remote part of Scotland, its gothic isolation and brooding atmosphere fitting for this modern gothic novel with a feminist impulse. There is an appetising tension as classics teacher Rose arrives into a world she at first doesn’t understand – and gradually comes to fear. Like Jane Eyre, alone, with only books for solace, Rose suspects there is a secret at the dark heart of the school. The girls are being prepared for the world, the prospectus says, but Rose cannot understand their codes, their strange classes and peculiar etiquette; the terrifying truth is revealed as she falls under the power and watchful eye of the school. Latin and Greek myths echo throughout, in a story that will not let you go. (Ruth McKee)
Kate Bush has one of the most distinctive voices in pop. Honestly, how many times have you attempted to reach those high notes in ‘Wuthering Heights’ and failed miserably? I’m guessing, like me, you’ve lost count. That’s because Bush is a unique talent, someone who has honed her voice throughout her long career. (Sam Kemp)
Finally, Book Riot has a quiz to find out which Brontë heroine you are.


Dialectics of Exchange

http://bronteblog.blogspot.com/2021/08/dialectics-of-exchange.html

 A new scholarly book with Brontë-related content:

Pradipta Mukherjee
Cambridge Scholars Publishing
ISBN: 978-1-5275-6790-0
August 2021

This book is a passionate rendezvous with cinema, the most collaborative of art forms. The essays here explore the possibilities offered by a close reading of cinema that keeps cultural contexts and their socio-historical roots firmly in sight.
This collection does not consider the “frame”, that oft-referenced basic unit of vision in films, as a limiting structure. Rather, it brings into purview what is left out. Divided into three sections, the essays look firstly at Indian cinema, both Bollywood and regional films, tracing the journey of Indian cinema from the periphery to the center.
The second section focuses on Adaptation Studies and takes an unorthodox look at classic adaptations of literature. The final section is a reappraisal of directors like Alfred Hitchcock and Stanley Kubrick. The essays propose that, even though the film as an artwork does not change fundamentally over time, it still strikes a contemporary critical gaze differently.

The book includes the chapter: "Dialectics of Exchange in William Wyler's and Luis Buñuel's Adaptations of Wuthering Heights".